Prof Alice Roberts talks about her latest book “Buried: An alternative history of the first millennium in Britain”
Ten minutes into our video call, Professor Alice Roberts lifts a lock of pink hair and taps a spot just behind her right ear. “That’s the petrous temporal bone, under your skull, right there,” she says. “It shines white on lateral X-rays because it’s the densest bone in the human body. It has to be dense for acoustic reasons, because it houses the workings of the inner ear.”
The biological anthropologist is regularly seen dusting off ancient human skulls on popular archaeology TV shows like Digging for Britain. But she’s particularly keen on the petrous temporal bone because its density helps preserve the DNA that becomes degraded and contaminated by soil microbes in thinner parts of the skeleton.
In her new book, Buried: An Alternative History of Britain in the First Millennium (published on 26 May), she describes the “breathtaking” pace of change in genetic technology in the two decades since the human genome was first sequenced. A human genome can now be deciphered in a day, spilling long-kept secrets of race, sex and appearance. As a scientist committed to unearthing the personal narratives of the dead, Roberts has been fascinated by the “patterns of relatedness” this DNA is revealing. Recent analyses of individuals from Neolithic tombs in the UK and Ireland have shown us a daughter buried in the same tomb as her father, two brothers buried together, and a man whose parents were either siblings or a parent and child, giving us a clearer picture of social structures in those places 5000 years ago.
More controversially, the new technology can also shed light on population movements in the past. One recent revelation has been the changes that came with the appearance of the Beaker culture in Britain and Ireland, with genomic data showing a 90 per cent population turnover in the third millennium BC. As Roberts wrote in an article for New Scientist last year: “This information was met with consternation by some archaeologists. Did a mass of invaders sweep in and take over? Some headlines stoked that idea, suggesting that ‘Dutch hordes’ had killed off the ‘Britons who started Stonehenge’.”
Roberts stresses that: “The language we use is crucial. Archaeologists take ‘migration’ to mean a very deliberate, large-scale movement of people: a forced relocation or a planned invasion. However, to geneticists, it simply means people moving and having children somewhere different. Such a migration could happen over many generations. Differences in concepts and definitions can lead to misunderstanding.”
At a time of rising nationalism around the world, archaeo-genetics is showing us that the racial dynamics of the British population have been fluid for millennia. “History is political – oh yeah!” says Roberts. “Work like mine couldn’t NOT have a modern political context. In approaching how any society works you are inevitably comparing it with your own.”
Buried is the second in a trilogy of books that began last year with Ancestors: The Prehistory of Britain in Seven Burials. In that book, Roberts told the stories of the “Red Lady” of Paviland (who turned out to be a man), “Cheddar Man” (who we now know probably had green eyes and lactose intolerance) and the “Amesbury Archer”, who died more than 4,000 years ago and was buried (along with eighteen exquisitely crafted, flint-headed arrows) a mile or so from Stonehenge. Isotopic analysis of the Amesbury Archer’s teeth reveals that he may have grown up near the Alps. An immigrant, then. And now an exhibit at the Salisbury Museum. Roberts notes that those who now come to view his remains in their carefully lit and labelled museum case are participating in a modern form of “ancestor worship”.
“The burials I described in Ancestors were only approachable through the archaeology,” says Roberts. “With Buried I was looking at the Romans, Anglo-Saxons and the earliest churchyards and I really became aware of the allure of written history they left. The loud voices of those early sources want to take over and superimpose themselves onto bones, so I had to be careful to protect the archaeology.”
Because Roberts began her career as a doctor, she tells me that weighing human narratives against physical evidence is deeply ingrained in her mindset. Born in Bristol in 1973, she’s the daughter of an aeronautical engineer and an English and arts teacher. “I knew I wanted to be a doctor from the age of eleven,” she says, “and I pursued that fairly single-mindedly.” Although science was her main passion, she maintained an interest in the arts; in December 1988 she won the Blue Peter Young Artists competition, appearing with her picture and the presenters on the front cover of the 10 December 1988 edition of Radio Times. “I also did art at A-level, for my own sanity,” she adds, raising her palms at the way “science and humanities cultures were so divided back then. My art lessons clashed with physics, because it hadn’t occurred to the school that anybody in their right mind would be taking both. I had to do my art at lunchtimes!”
She studied medicine in Cardiff (where she met her husband, archaeologist David Stevens) and fell in love with the careful art of dissection. “We did nine hours of dissection a week, which is unheard-of now. It’s been squeezed out by other subjects, like the massive expansion of bimolecular science – which has to be taught, but a good knowledge of anatomy is [also] essential, and I do worry there isn’t enough of it in current medical courses.”
Roberts worked as a junior doctor in South Wales for eighteen months before taking what she thought would be a brief break as an anatomy demonstrator at the University of Bristol. “I did know in advance that there would be an opportunity to look at some archaeological bones,” she smiles, “and that led to a PhD in paleoarchaeology and the bones led to broadcasting.”
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Great article about what sounds a fascinating book about a still growing and fascinating field of human directed inquiry.